This BBC performance of The Wilhelm Scream offers the absolute explanation for why we still haven't recovered full consciousness since James Blake's incredible support slot for Everything Everything at the Union Chapel last month.
The first 'echo-pop' at 1.13, the blanket synths gathering at 2.21, the refreshing clarity at 4.32; a few examples of the simple beauty Blake achieves in his music, and why February 7th can't come soon enough.
16 January 2011
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